October 17, 2019

The Lord of the Rings + The Hobbit Coming to 4K

Image result for lord of the rings 4K

A few days ago, the news broke that in Europe there is a listing for The Lord of the Rings + The Hobbit film trilogies coming to 4K.

The date mentioned was June 2020, however 2021 marks the 20th anniversary of The Fellowship of the Ring.

The article mentions that both theatrical and extended editions would be arriving.

Now, what would I like these release(s) to be like?

Here are some thoughts on how I'd like to see these released on 4K blu-ray (or UHD blu-ray):

- HDR & Dolby Atmos, possibly Dolby Vision as well
- both extended and theatrical editions to be included in the same set: not one set for theatrical, and one for extended.
- 3 releases: The Lord of the Rings trilogy, The Hobbit trilogy, and a set with both
- the packaging for The Lord of the Rings to be nearly identical to the 12-disc extended DVD trilogy set from 2004. The Hobbit extended trilogy on DVD also had similar packaging. The blu-ray release had some elements carry over, though it's not quite the same. Replicate the packaging, like how Rhino did in comparison for the complete recordings soundtrack, from the original CD+DVD release to the limited edition vinyls.
- no ads of any kind at the start of any of the discs
- Use a consistent colour tint. Some may have noticed that only the extended edition of The Fellowship of the Ring (on blu-ray, and some digital avenues) featured a different palette and colouring than the DVDs did. Please get rid of any colouring or tint issues, and possibly use the same company/team that worked on the extended DVDs. There have been some great 4K transfers done by WB lately - the Middle-earth films should be no exception.
- include all the special features, from both previous extended and theatrical sets. If possible, on blu-ray or 4K blu-ray discs, as opposed to DVDs (like what the special features were on for the extended Lord of the Rings boxed set)
- keep the same menus (and design style) that was featured on the DVD and blu-ray editions: very classy.

The 12 disc DVD set from 2004 was the crown jewel in my DVD library. The blu-ray - yes, The Lord of the Rings extended in HD is nice, but the packaging left a little to be desired, as well as the 'forced' ads in front of some of the discs. If the same care goes into the 4K release that went into the original DVD set, I'll be very satisfied.

I truly hope that Peter Jackson or Warner Bros reads this.

October 4, 2019

Hunger Games prequel Novel Officially Announced

The Ballad Of Songbirds And Snakes (a Hunger Games Novel) by Suzanne Collins

Earlier today, the prequel novel to The Hunger Games trilogy, titled The Ballad of Songbirds and Snakes was announced.

Here is the official - as of now - description:

The Ballad of Songbirds and Snakes (A Hunger Games Novel) will revisit the world of Panem sixty-four years before the events of The Hunger Games, starting on the morning of the reaping of the Tenth Hunger Games.
It is to be published on May 19 by Scholastic, and will be 624 pages.

I imagine many book retailers are now offering pre-orders, so providing an ISBN won't be needed - especially given the popularity of the series.

October 3, 2019

Letters From Father Christmas: Deluxe Edition Details Revealed


Earlier today, details from the forthcoming deluxe edition of Letters From Father Christmas have been revealed.

Here's the info:


ISBN: 9780008327729

"This beautiful, deluxe slipcased edition of Tolkien’s famous illustrated letters from Father Christmas to his children includes for the first time every letter, picture and envelope that he sent them, reproduced in glorious colour. The perfect Christmas gift for Tolkien lovers of all ages.

This classic festive book of Tolkien’s amazing Father Christmas letters written to his children between the 1920s and the 1940s has been reworked into a sumptuous, new deluxe edition. It contains brand new high-quality digital reproductions of his wonderful letters and pictures, including a number them that have never been printed before, a revised introduction by Baillie Tolkien, and a special full-colour, foldout frontispiece.

‘My dear children, I am more shaky than usual this year. The North Polar Bear’s fault. It was the biggest bang in the world, and the most monstrous firework there has ever been. It turned the North Pole black!’
Every December an envelope bearing a stamp from the North Pole would arrive for J. R. R. Tolkien’s children. Inside would be a letter in strange spidery handwriting and a beautiful coloured drawing or some sketches. The letters were from Father Christmas.
They told wonderful tales of life at the North Pole:

• How all the reindeer got loose and scattered presents all over the place.
• How the accident-prone Polar Bear climbed the North Pole and fell through the roof of Father Christmas’s house into the dining-room
• How he broke the Moon into four pieces and made the Man in it fall into the back garden
• How there were wars with the troublesome horde of goblins who lived in the caves beneath the house!

Sometimes the Polar Bear would scrawl a note, and sometimes Ilbereth the Elf would write in his elegant flowing script, adding yet more life and humour to the stories. From the first note to Tolkien’s eldest son in 1920 to the final poignant letter to his daughter in 1943, this book collects all the remarkable letters and pictures in one enchanting edition. No reader, young or old, can fail to be charmed by the inventiveness of Tolkien’s Letters from Father Christmas."

Looks lie pretty nice. I like how it's a "Christmas-ized" version of the deluxe edition format. For instance: the icicles, the silver and white lettering, the silver ribbon-marker, etc. Also given the style of the slipcase, it looks like it'll fit, height-wise, with the other titles (The Facsimile Hobbit (book from 2016, and the gift set from 2017), The Lord of the Rings 60th anniversary illustrated edition, and the deluxe edition of Jemima Catlin's Hobbit don't go with the rest of the deluxes, in terms of height.

It is highly unlikely that I'll get this edition, though: the paperback (my edition says 2015 on the copyright page, but the release date on some retailers says 2009...) edition will do me just fine :) Though I'd love to get the audio CD narrated by Jacobi.

This looks to be the finalized or definitive edition, as it'll have everything related to Tolkien writing as father Christmas that he ever made, as well as it'll combine all prior releases into one set. I do not believe that the art will be removable though - could be wrong.

I'm also curious which image will be used as the foldout frontispiece they mention: "...and a special full-colour, foldout frontispiece." I think it’ll be two images side by side: “Dressed for the Snow and the Cold” with ‘my house’ (sometimes as one image, but two “panels"). If those are next to each other, than those as the frontispiece could easily be foldout. Or, perhaps, the wider version of "The North Pole" :

September 12, 2019

Looking Ahead to Tolkien in 2020




So what do you think will be the next major Tolkien book? The Great Tales have now been completed, with the recent releases of Beren and Luthien and The Fall of Gondolin by way of their own dedicated books.

Future anniversary editions (70th / 75th anniversary of The Lord of the Rings for instance) are expected as are new illustrated editions (while The Hobbit isn’t “new” Jemima Catlin’s illustrated edition is). There’s also collector’s editions, like the edition of Letters From Father Christmas to be released in a few months.

Those out of the way; what could possibly be ‘the’ Tolkien book for 2020?
There is The Book of Ishness, and I doubt enough material exists (though I’d welcome its release) for The Tale of Earendil as its own dedicated book.

Then there’s the Amazon Middle-earth series: while no doubt tie-in books will come out (pertaining directly, and only to the series – like Weapons and Warfare for The Lord of the Rings film trilogy). I would not be surprised if there will be a collected edition (dedicated book) comprised of material from The Silmarillion, Unfinished Tales and possibly The History of Middle-earth dedicated solely to The Second Age as a “tie in, but not really….” type book.

Who knows what’s in the pipeline for the future? Many weren’t expecting, and thus, surprised – by publications of such works as The Legend of Sigurd and Gudrun, The Fall of Arthur, Beren and Luthien and The Fall of Gondolin. There was always mention of the Three Great Tales, but the gap from The Children of Hurin being to published to when Beren and Luthien and The Fall of Gondolin were was large enough, many didn’t really consider it or think that they would come.

Then there's the 2021 Tolkien Calendar - I am curious to just find out who will be the artist, and what the theme will be. Usually, the calendar that comes out the year of a major book will be the art for next year. Example: The Children of Hurin came out in 2007. The 2008 calendar (which came out in 2007) reflects that release. I have a feeling that it will be John Howe's,  possibly featuring art from his book, A Middle-earth Traveller.

So who knows what can – and could – come out next year, either completely new or re-packaged or re-edited? It’ll be interesting to see what the next “Tolkien publishing event” will be. Was The Fall of Gondolin truly the end?

Myself I have a few more Tolkien (and Tolkien related) books to get:

- The Hobbit Sketchbook
- A Middle-earth Traveller
- Author of the Century
- A Secret Vice in paperback

August 24, 2019

The Best Translations?



One of the things about great classic works from centuries past (or hundreds of centuries) is that, because they've been around for so long; and the original tales are so good, is that we have numerous translations from the original languages into English. Everyone has different tastes, and some may be in 'verse' or 'prose.'

First up, would Robert Fagles. Fagles has given us amazing translations of 'the three great epics in Western literature.' These would be The Iliad, The Odyssey and The Aeneid. The first of those two are by Homer, and The Aeneid is by Virgil. Due to the immense success of these stories - separate or together - once the Fagles translations came out; it was quite the publishing event. Many people (from general or casual readers to full-fledged scholars) quite enjoyed these. Now, I'm not saying that the Fagles versions are the only good ones because that simply isn't true. However, it appears that Penguin has adopted the Fagles translations as their current standard; though others may be available. Worthy of note is Fitzgerald's, and for prose, Butler's isn't too bad either. There are a vast amount of them. Another name I keep saying come up is Lattimore.

Moving on to other stories, Michael Alexander, Kevin Crossley-Holland and Jesse Byock also offer some great note-worthy versions of the Old Norse stories and myths and Icelandic Sagas. Be sure to check out anything with those names on it.

I should also add that for some of the epic poems, there are 'verse' translations, and 'prose' translations. The format, as well as the translator, is entirely up to the reader's preference. After all, you are the one reading, and should therefore enjoy what you read. Some specific versions may be studied academically - in which case, a particular edition is outlined in the syllabus.

Moving on, Hugo's magnum opus, Les Miserables, finds it's best, and most thorough English translation by way of Charles E. Wilbur. Again, that's not to say that others are bad; just that one is quite good.

Richard Peaver and Larissa Volokhonsky also offer up some terrific translations of some classic Russian literature, such as War and Peace (and other titles by Tolstoy) as well as works by Dostoevsky.

Umberto Eco's versions of the works of Dumas is also said to be a great joy to read.

So which of these is the best translation I've mentioned? And, the ones I've listed, are they the best translation of the original works? That is entirely up to you; though the names I've provided - of translators and works they've translated - are quite good, in many aspects and quite appealing.

In closing, I want to mention that you really can't go wrong with anything offered by Penguin, Oxford World Classics, Everyman's Library or Modern Library. When picking out a version, read some samples by randomly flipping the book open, and Amazon also offers the 'look inside!' feature. Though with Amazon, the 'look inside!' may not match the product you're actually viewing.  

August 14, 2019

Wheel of Time Amazon Series Casting Announcements



The Wheel of Time turns, and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth comes again.

Big news day for those looking forward to Amazon's Wheel of Time series - myself included.

We've got our main Two Rivers characters. I'll run through them again, and add the casting of Rosamund Pike.

Rosamund Pike as Moraine:



Marcus Rutherford as Perrin Aybara:



Zoe Robins as Nyanaeve al'Meara:



Barney Harris as Mat Cauthon:



Madeleine Madden as Egwene al'Vere:



Josha Stradowski as Rand al'Thor:

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Seems promising!

Since that I am not overly attached to the books (I own them (in paperback), I read them, and I enjoyed them) I suppose that means that I'm looking forward to the adaptation. Whereas with Amazon's Middle-earth series, I am attached (quite strongly) to Tolkien's works, so my interest in the adaptation is fairly low as of now. I am looking forward to Netflix's Narnia, and HBO's His Dark Materials for the same reason. However of the series I've mentioned, I'm attached to His Dark Materials the most. And its trailer was fairly impressive. And it will be 3 seasons (one per book).

But back to The Wheel of Time.

It will be impossible to make everyone happy, and this casting announcement of proof of that. I believe it will be impossible to faithfully adapt 14, 600 page-plus (in mass market paperback) books to TV. Even striving for as much accuracy as Peter Jackson's extended Lord of the Rings trilogy will be a stretch. In terms of accuracy (if we're going by Peter Jackson's Lord of the Rings adaptation) expect it to be the same level of accuracy as The Two Towers theatrical edition. Or, some of the Harry Potter films (I'm thinking Goblet of Fire to Deathly Hallows: Part 2). Because of the complexity of the books, challenges of turning one medium into another, the characters, plots etc that run through the series, I expect; if you add everything up, that half of the books will be faithfully adapted. The main thing, though, is that I hope it does well, and catches on. Let;s face it - however The Wheel of Time books may be, they're only really known in the fantasy genre, not 'mainstream' like Harry Potter, Lord of the Rings, Game of Thrones....

I am also looking forward to seeing what type of merchandise comes out. HBO didn't really have much merchandise before Game of Thrones came along.

I've got high hopes for this one, but as ever, I'll reserve judgment until after I've seen the trailer.

I'll close by recommending specific editions of the books which offer the best value for the cost: http://insurrbution.blogspot.com/2012/09/new-editions-for-wheel-of-time.html

July 31, 2019

The Hobbit & The Lord of the Rings Sketchbooks Limited-Edition Boxed Set Announced



Earlier today, this limited-edition, numbered, slipcased signed edition was announced. Only 3,000 will be printed! Official description follows below:


Presenting two richly illustrated books in one elegant slipcase, this deluxe, limited edition boxed set celebrates in words and pictures the beautiful work that award-winning artist Alan Lee has created for J.R.R. Tolkien’s The Hobbit and The Lord of the Rings.

Sumptuously bound in full cloth, with a miniature colour image embossed into the front board, each large-format volume overflows with hundreds of delicate pencil drawings and conceptual sketches, and dozens of haunting watercolour paintings, including many brand-new Hobbit paintings and drawings that take us deeper into the magical world of Bilbo Baggins.

This very special set unlocks the secret of how Alan creates his own Middle-earth magic and provides a fascinating insight into the imagination of the man who breathed new life into Tolkien’s vision. It is limited to a worldwide printing of just 3,000 numbered copies and each copy of The Hobbit Sketchbook has been personally signed by the artist.

The ISBN is 9780008367435

At present, only Amazon UK is offering pre-orders. And, since only a specific number are being printed, you might want to grab this while you can. Elsewise, they may be gone.

There is also A Middle-earth Traveller by John Howe worth checking out. Here's hoping in the future there will be a 'Great Tales' set (featuring Alan Lee's art from The Children of Hurin, Beren and Luthien and The Fall of Gondolin). Also would be great if a Ted Nasmith Silmarillion Sketchbook were made....

June 26, 2019

Farewell, Dear Friend



Today was a slightly sad day....perhaps I am being overly dramatic, but it was slightly sad.
Today I packed up and boxed my wii u and its games.
I do not yet have a Switch (I most likely will at, or by, Christmas), so it wasn't done to 'make space', but rather because I played the wii u literally to its death. I got it in Sept 2013, and now (June 2019) - it's finished.

What had happened, is that the GamePad can no longer hold a charge. It can charge, but it lasts approx 45 min - 1 hr 15 before The Red Light of Doom comes on, then starts flashing. The problem is, because the wii u 'failed' we got the Switch. Because of that, Nintendo stopped supporting it in 2017. That means no more GamePad battery replacement packs. I wish I had known of the 'extended' battery pack made by Nintendo which gives longer life (both to 'extend' and get a new battery for it.) There are sellers on Amazon, etc but the reviews have been mixed: from "it works!" to "it doesn't." It also doesn't help that the companies that make them aren't Nintendo. This isn't getting a third-party controller, but rather a component of the system.

So the wii u is packed away in storage (there are 'workarounds' with the GamePad issue, but with me getting a Switch sometime soon-ish, it would need to get packed away anyway.) Someday that box may be opened again...
However, not everything from the wii u got packed away: I'm still able to use the HDMI cable (will do so for The Switch's dock) and The Switch supports amiibos. So those are still 'out.'
I still remember the day that I got it. It was the Wind Waker bundle, and I got it in September of 2013. My work contract was going to expire, and if I got renewed or extended, I was going to buy it. Once I found out, I phoned FutureShop, and put it on hold for pick-up that day. Once I was finished work, I headed there, picked it up, and headed home. Over the course of the console's short life, I got some decent games and play time out of it: Mario Kart 8, Smash, Mario Maker some downloaded games, Mario 3D World, and the 'grand finale', The Legend of Zelda: Breath of the Wild. There were others too, but those are the highlights for me.

It's unfortunate that the wii u died - it had potential, but it just didn't 'catch.' Even the name: most people thought it was an accessory or add-on to the wii, not a whole new console. Then there was how the Gamepad factored in for multiplayer games: for some it can be used as a controller; not so the case others. In that aspect, New Mario U was frustrating multiplayer wise: the controller wasn't a 'controller' but to add blocks. The option to use the GamePad as such in that game should have existed. Plus, as per usual, Nintendo didn't get a lot of support from other developers for it.
With The Switch, Nintendo corrected themselves: no discs, it has a wide array of controller options (though you still need the JoyCons for certain games, so you can't go 100% ProController dedicated; but most games support it. Should be "all" but anyway...). The name isn't 'confusing' like the wii u. Nintendo is marketing and pushing the console, and it's getting tons of support. And it's working. I think within the first year, more Switches were sold than wii us during the wii u's life.

I was initially skeptical when The Switch was announced. I wanted to wait a bit ("hey our older console was a flop. Buy our new one!") but now, my faith is restored. There are a few games I'd 're-buy' on The Switch (hey if my wii u gamepad is truly on its way to the grave, at least I can still play some of the games...) such as Mario Kart. My Mario Kart reasoning is, Nintendo may not make one for The Switch (Mario Kart 9) because it already has one on it - Mario Kart 8 (Deluxe)

So farewell, wii u - you gave me a lot of great time play time, and memories; even. You had a good, loving home; but now it's time to say goodbye. Also, thank you for getting me through a few tough times here and there. over the years.    

June 2, 2019

Thoughts on The End of Game of Thrones



Since the show ended, I've been thinking and re-thinking about the series on the whole, the final season, and the final episode.

The final season has left the internet in an uproar. Most people seemed to have enjoyed it, however those that did not were very vocal about it.


Our ‘current’ Ssn 7 and 8 were good - problem was, they were too ‘crammed.’ HBO offered more episodes / seasons, D&D should have taken and followed that plan. Or, at the very least, make Ssn 7 and 8 10 episodes each, each at least 70 min.

Here’s how it should have been structured:

Season 7: 10 episodes, about the Night King
Season 8: 10 episodes, about ‘The Last War’ against Cersei
Season 9 (final season): 10 episodes (each being 70 min at least) about the rebellion against the Queen of the Ashes.

The final two episodes alone had enough potential for two seasons.

Of course, that would probably be another three years; however I'm speaking strictly of formatting of the story that was told, and how to flesh it out properly - not in regards to actually producing a TV series - an area of which I have no experience in.

As much as I loved Game of Thrones through the years, my biggest issue is that after Season 1, the story changed too much from the books. I get that books and TV/film are different mediums etc, but I noticed this in general: the Harry Potter films started off staying pretty close to the books. Heck, even The Lord of the Rings changed considerably, even with the extended editions of The Two Towers and The Return of the King.

This is a general statement: for some reason, fantasy adaptations start out closely and faithful to the source material, and then for some reason, the story changes in the adaptation. I wish it would be kept with the same quality, (in terms of being an adaption) as it is when it first begins.

I frequently state if one did not like Season 7, they probably would not enjoy Season 8. I'm not talking about plot or story, but rather the pacing. People often say that towards the end (Season 7 and 8) it's "rushed." I don't quite feel that's the case....or perhaps I am misunderstanding. I didn't find it 'rushed' but rather 'crammed.'

Ideally, I would have loved to have gotten 9 full, 10-episode seasons that followed the books, and had similar pacing as the very first season did. Consistently, throughout the years, I've always enjoyed Game of Thrones.

Was every episode perfect? No. Was every season perfect? No. But I've always enjoyed the ride, start to finish.

Before I go further, I wish to add that I enjoyed Lost (including the final season and final episode), though I did not enjoy the finales for Battlestar or Dexter.

I re-watched the entire series leading up to Season 8, then it was 'one episode per week, every week.' What I need to do, is re-watch Season 8 (or possibly the entire show, start to finish.) I've found that with Game of Thrones, as fun as it is speculating what will happen between episodes, 'wait times' negatively affects the show. I think that's where most of the disappointment sets in.

I give Game of Thrones on the whole a very solid 8.5 / 10 for the entire series.

I give Season 8 a 7.5 /10.

I give the final episode a 7 / 10. It did what it needed to do, it made sense (though in my scenario mentioned earlier) it could have been the last two, maybe even three, episodes of Season 9) and, for me, it didn't 'ruin' the series.

Even though Game of Thrones is finished, I still look forward to reading The Winds of Winter, A Dream of Spring, more Dunk and Egg, and other Seven Kingdoms-related content by Martin. If the Thrones prequel / spin-off series look good, I may check those out as well: though I'm not 'blindly' interested in them.

March 12, 2019

Warner Bros. Drops the Ball on "The Crimes of Grindelwald" Extended Cut

Today The Crimes of Grindelwald is out on blu-ray and 4K, and the set includes an extended cut.

Don't bother with the extended cut portion of the set.


The extended cut is not on a disc. Which is pretty freaking stupid, considering that the product is physical media. To get the extended cut, they give you a code to redeem it! It's not even on a disc, even though you're buying a disc! THAT is lazy and stupid, I think. I watched the extended cut, the added stuff does nothing to further the story or offer background info, character development... I wasn't expecting stuff like The Hobbit or The Lord of the Rings level of difference, but the new scenes are 20 seconds - 2 minutes long each. We're talking less than what was added to extended version of the first Hobbit movie. Not only did they drop the ball on how to access that version of the film, but I would like to add the following points:

1) the opening title where you see the name of the movie, in the movie, they slapped "extended cut" right there.


2) every time there's new footage it says "deleted scene" hardcoded in the bottom corner of the screen. So the way they handled the extended cut is very lazy and stupid.

3) not all of the deleted scenes are included in the extended cut.
In short, the extended cut is a waste. Don't go out of your way to see it, is what I mean.

Another reason why I'll wait for 5 movie set, or if there is none, get them all at once (or if all at once is cheaper). If that set doesn't include the extended cut, no big loss.

Sometimes an extended, director's, or alternate version of a film can save it from disaster, or improve on an already excellent film. Some notable examples of this include: The Lord of the Rings, Kingdom of Heaven, Once Upon a Time in America, Blade Runner (The Final Cut), and The Hobbit to name a few.

Please note, I'm not saying that The Crimes of Grindelwald is a bad movie (it's not, I liked it - I'll do a review someday soon) and I'm not telling you to not get the blu-ray or 4K version (personally I'm waiting for the boxed set and wouldn't be surprised if some are too) but rather, the way that the extended cut was handled and packaged was extremely stupid on Warner Bros.' part.

Another way to think of it, is imagine if you buy a vinyl record, and some extra content is promoted and marketed to be inside the release. Instead of putting that material onto an LP, they give you a download coupon for it...which defeats the purpose of buying the physical product to begin with. (I'm not referring to them giving you a code to download the album you also have a physical copy of)


March 7, 2019

Welcome to the Second Age



Amazon has finally fully (I never saw the point on posting about the map as it was being revealed) revealed their Middle-earth map, as well as a status update: "Welcome to the Second Age."

Worthy of note is the inclusion of Numenor on the map of Middle-earth. This interesting, as most maps of Middle-earth (books, films etc) do not feature as it sinks into the sea during the Second Age, and most maps are of Middle-earth during the Third Age.

There is a whole bunch of information I could pass on, so first I'll refer you to portions of the various books, relating to information about The Second Age, and Numenor itself. I should also add that The Second age was also known as "The Black Years" ('Black' in Tolkien means 'dark' (depression), corrupt, foul, etc.)

IN PRINT:

- in The Return of the King, read through the Appendices
- in The Silmarillion, read Akallabeth (The Downfall of Numenor)
- in Unfinished Tales, read Part Two: The Second Age. Unfinished Tales also "...reproduces the only map of Numenor that J.R.R. Tolkien ever made."
- The Maps of Tolkien's Middle-earth book / map set by John Howe and Brian Sibley also includes a map of Numenor (exclusive to that set. By that I meant the other 3 were made available separately on their own. Only in this release can you get their tretment of the Numenor map)
- in Robert Foster's The Complete Guide to Middle-earth (illustrated by Ted Nasmith) look up the entries "Numenor" and "Second Age"

ONLINE:

Numenor: http://tolkiengateway.net/wiki/N%C3%BAmenor
Second Age: http://tolkiengateway.net/wiki/Second_Age

In closing, with The Second age and Numenor being the highlights of the new reveals, I can see the following items existing as tie-in merchandise:

- Map of Numenor (with The Lord of the Rings films (and maybe The Hobbit too...?) we had the Map of Middle-earth. With The Hobbit, we got Thror's Map)

- a 'compilation' book by HarperCollins (hardback? paperback? deluxe???) of various Second Age and Numenor related content, which has already been published, in its own book (much like Beren and Luthien and The Fall of Gondolin books). this possible book would be great for newcomers to Middle-earth who have never read Tolkien before, or for those fans who want all the info related to the show in its own dedicated volume.

Pretty interesting stuff at this point - I look forward to following the series as it develops, and will post the significant updates. 

February 15, 2019

"The Lord of the Rings on Prime"


Amazon Prime's Middle-earth series is now somewhat underway.

Not long ago, they had created a Facebook page for the project: https://www.facebook.com/LOTRonPrime/  , as well as a website: amazon.com/lotronprime. Aside from the map, not much has been uploaded yet. However, should you be interested in following the project, official updates will be there.

I look forward to following the project as it progresses: cast, poster, trailer....and any associated merchandise. Hopefully, the merchandise won't be restricted to "Prime Members Only."

I'm curious what types of merchandise and products we can expect to see associated with this. I remember from 2001-2003 HarperCollins drastically increased production on Tolkien items - both related to Peter Jackson's films and not. Can we expect to see some new editions, beyond imagery used as book covers? Also, back then bookstores were book stores - not like today where they are department stores that happen to sell books. Regardless, I look forward to seeing what publications will inevitably come out.

As for how I feel about this, project, I did a post or two a while back. It's far too early to have an actual opinion - we know so little. Trailer first, opinions later.

I will also follow and report any news-worthy news in regards Amazon's Wheel of Time project, and Netflix's Narnia.

Three Rings for the Elven-kings under the sky,
Seven for the Dwarf-lords in their halls of stone,
Nine for Mortal Men doomed to die,
One for the Dark Lord on his dark throne
In the Land of Mordor where the Shadows lie.
One Ring to rule them all, One Ring to find them,
One Ring to bring them all, and in the darkness bind them,
In the Land of Mordor where the Shadows lie



February 14, 2019

"Mario Maker 2" Announced


Many fans were hoping that the Switch would get Mario Maker ported over to it, like so many other titles from the wii u (as of now, the only titles that remain exclusive to the wii u are: Mario 3D World, Xenoblade X, and Pikmin 3 - I may be missing 1 or 2). It was announced that Nintendo is making Mario Maker 2.

When I was a kid, I used to draw Mario quite a bit. I often enjoyed sketching a 'screenshot' of a made-up level, almost Bob Ross style. I used to get quite creative: "What if I make this spiny green?? The regualr ones are red, and there's red and green koopas, so....oh! and how would it behave on-screen?" That was one such example I would enjoy thinking of.

When Mario Maker came out, i was able to relieve and fulfill that aspect of my life, almost to its fullest. As great as the game was, it lacked a few minor elements that I would have loved to seen included, so I could make my levels more varied, and recreate some from Mario 1 and Mario 3 - thinking specifically of slopes and water that you can jump out of (ie, not be restricted to fully underwater.)

This post is not only to inform you that Mario Maker 2 is coming, but I'm going to re-watch the trailer, and commentate on what Mario Maker 2 looks to be adding (base donly on the trailer) as well as a few parting thoughts ("I hope this is included."

In the words of Mario, "heeere we gooo.....!"

- from the looks of things, the game is handled (exclusively??) in hand-held mode
- there are 'wheels': once the game enters 'maker mode', there's a circle labelled 'enemies' and there are some selections that can be made. There is also an "items" circle, and a "ground" circle; which includes 2 types of slopes.

- we get slopes!! I wonder how that will factor into Mario 1 style, which didn't have slopes....?

- There are elements from Mario 3D World (in side-scroller,not 3D environment)

- The sun from Mario 3 (which can be killed with a koopa shell in the deserve level) is here. Again, I wonder how it'll factor into games that did not have it in them.

- The section that shows the sun, shows a desert background. Can we change background styles....?

- The 'caterpillar' blocks from Mario World's castle levels are in it

- again with the background change: we see a forest-y backdrop and Mario and Yoshi swimming...but...the can jump out of the water! Also, it looks as if the water level can change. You could never jump out of the water in Mario 1, so I'm curious about that game style with the elements.

- the "On/Of" blocks from Mario World are here

- it looks like the auto-scroll can be adjusted, in terms of direction and movement. Play the airship levels from Mario 3 to see what I mean.

- there looks to be new enemies: puffer fish and blue/purple caterpillars. (I think it said 'ant trooper')

- Mario 3D World is a 'game style' (in 2D mode), I wonder what the mechanics will be like...?

- climbable bell-trees from Mario 3D World are here

- the Cat Bell item is here (can that 'work' in other game styles??)

- Piranha crawlers (may may be wrong, but the type of piranha plant that's pink and moves along its stem) from Mario World 3D is here (looking forward tos eeing that enemy with other game styles. it's 'length' and movement can be adjusted

- blocks that extend as you hit them are included (marked with a "!")

- the clear pipes from Mario 3D World are included

- in the Mario 3D World style, you can Banzai Bills come from the background into the foregound

- parachutes can be added to enemies. Also, in that same screen, there's a regular pipe that's not green, but red/pink instead....can pipe colours be changed??

- There looks to be different colour Yoshis! Wonder what the colours are, as well as if they have special abilities? It also looks that the 'acid' from some of the jungle levels is included.

- Boom-Boom is included as an enemy! Looking forward to seeing his Mario 1 and Mario World sprites. Not to mention how he may behave.

- Banzai Bills are included (I didn't see a Bill Blaster....)

Now for my thoughts / hopes:

- can adjustments be made on various level types? For instance for a 'gras' level, can we choose between day and night?

- it looks like you can change the colours of pipes. That, and the different level themes will allow me to create more accurate recreations of existing Mario levels

-can we make "worlds?" Perhaps even overworld maps??

- more enemies: I would love Fire Bros., Boomerang Bros., etc added

So that basically concludes my thoughts on the upcoming title at this point. We shall what else gets revealed closer to the release date.

February 5, 2019

Myths & Legends - Icelandic and Old Norse



Hwaet!
I have an interest in Icelandic and Old Norse myths and legends. The old sagas and tales, they interest me. Have I read any? No, not yet...

This interest was initially sparked with the publication of Tolkien's The Legend of Sigurd and Gudrun. It was marketed quite well by both Houghton Mifflin and HarperCollins. I got the book around the publication date of May 2009 I believe it was. Over the years, I've also dabbled my toes in other areas related to some of the old legends and tales.

The following year, 2010, saw HarperCollins start their print-on-demand service for some specific titles. One of them was for the 50th anniversary publication of The Saga of King Heidrek by Christopher Tolkien. A few years following that, Penguin published some of their titles under the theme of 'Legends From the Ancient North'. Titles include: Beowulf, The Elder Edda, The Saga of the Volsungs, Sir Gawain and the Green Knight (all are re-published and existing translations at that time) and the newly published, from what I could gather - The Wanderer.

Next, once my computer was powerful enough to run it (and they were finished all content related to the game) I got around to playing Skyrim, the 5th Elder Scrolls game. That game featured a lot of story content and quests inspired by some of those old tales. Over time, I also discovered and obtained The Sagas of Icelanders by Penguin (based from the massive 1997 undertaking of publishing and translating all 50-ish Sagas) as well as few others books on the side: Seamus Heaney's Beowulf, Oxford World Classic's edition of Grettir's Saga and The Penguin Book of Norse Myths. Also, there was the publication of Tolkien's Beowulf. Not quite related, but while waiting for seasons of Game of Thrones I have also discovered Vikings, and am a fan of that show as well. And I am missing one more book - The Saga of King Hrolf Kraki. For a milestone birthday or event, I would absolutely love a copy of the 5-volume (later-bound!) boxed Complete Sagas of Icelanders, which contains EVERYTHING. That will be quite the purchase, though!

Also, one of the first single-malt Scotch whiskies I've tried (and enjoyed) is the 12 yr by Highland Park. Highland Park ha as very strong (and they embrace it and use it as part of their marketing and packaging) Norse connection. In fact, some whiskies on their respective product pages even have quotes from some of the old stories.    

My interest in all these stories, and types of tales has reached its peak. This year I fully intend to read them. I'm presently reading through the Earthsea Cycle. I also plan on doing a full re-read of the (existing) Ice and Fire books as well as A Knight of the Seven Kingdoms and Fire & Blood. Those aside, my next reading project will be tackling all the Norse and Icelandic material. However, which order will that be?

Here's my projected reading order:

- Legends From the Ancient North (in the order of: Beowulf, The Elder Edda, The Saga of the Volsungs, Sir Gawain, and The Wanderer
- The Penguin Book of Norse Myths
- The Sagas of Icelanders
- Njal's Saga
- Grettir's Saga
- The Prose Edda
- The Saga of King Hrolf Kraki (hope to have it by then)
- Beowulf (Heaney's translation)

So what began as mild or slight interest, thanks to Tolkien, has become a chief interest of mine that I look forward to exploring further. I understand that some of these are in prose, others are in verse. That shouldn't bother me, as the snippets I've read have interested me and the form does not appear to be a hindrance.

From what I can tell, the editions and translations I own and mentioned aren't too completed like some other epic poetry (in verse or prose might be.)  I look forward to reading these timeless stories; and learning about a culture through them. Also, once Vikings finishes, I look forward to getting the blu-rays. One of the reasons for this, is for some of the special features and documentaries the blu-rays may have on them.

Skal! 

February 3, 2019

"Valknut" by Highland Park Now Available in Ontario

Highland Park's second of their Viking Legends series (the first being Valkyrie, the third being the upcoming Valfather) is now available in Canada. Or, Ontario, at least. 

Here is what they have to say about it:

"I know one thing which never dies: the reputation of each dead man"
Poetic Edda, Hávamál, verse 77

STORY


Created using a higher proportion of our local peated malt and predominantly matured in sherry seasoned oak casks to give this whisky its smoky, sweet flavour, VALKNUT is the second in our Viking Legend series, celebrating our rich Nordic ancestry here on Orkney.
Valknut means ‘knot of those slain in battle’ and its symbol of three interlinked triangles appears on numerous artefacts from the Viking Age. The symbol is closely associated with the Norse god, Odin, who guided the spirits of the dead to the underworld and back to the world of the living, and is believed to represent the transition from life to death or the connection between earthly life and heavenly life.

NATURAL CASK-DRIVEN COLOUR (NO ADDITIVES)


Light and golden (average colour tint 10.5)


FLAVOURS


Toasted vanilla pods | Cracked black pepper | Oak shavings | Cloves | Aniseed | Aromatic peat smoke


ABV


46.8%


VOLUME


700ml (or 750ml depending on country)

You can see the tasting video here: https://www.youtube.com/watch?v=CMs59R40jRg

For those that live in Ontario, the LCBO product number is 632687.

Expect Valfather to arrive later this year, or very early next year. While Valkyrie was red, Valknut is blue, I'm expecting Valfather to be either green or yellow. 

January 31, 2019

"Vikings" to End at Season 6


This week, we had the season finale of Season 5 [Part B] and it has also been announced that Season 6 will be the end of the show.

However, since it'll be 20 episodes, expect it to be once again split into 2: Season 6 [Part A] and Season 6 [Part B]. I'm hoping that the final episode of the entire show will be approx 90 minutes, as well as possibly Episode 11 (the first episode of Part B.)

On the ending of the show, creator Michael Hirst has this to say:

"I always knew where I wanted the show to go and more or less where it would end if I was given the opportunity. What I was trying to do was write the saga of Ragnar Lothbrok and his sons. After six seasons and 89 episodes, that’s what I felt — finally — I’d done. We stopped shooting the final episode in November last year and I felt that I’d said all I needed to say about Ragnar and his sons. I told my saga, and I’d been very fortunate to be given that opportunity by MGM and History. I had no reason to want to continue it beyond that. But, there are 20 new episodes to come. We visit three new worlds in those episodes, we go through great tragedies and great heroism, and if you have tears to weep be prepared to weep them as you watch Season 6. I’m very proud of the show. I did what I wanted to do, that’s the truth.


I don’t want people to think the show is ending anytime soon because it’s not. Later this year we’ll see the first part of Season 6. I’m desperate for people to see it because it is the most ambitious and intensely emotional episodes of “Vikings” ever. Each season I set new challenges for production and they always meet them. Each season I up the ante and they always do it — whatever it is I ask them to do. A lot of what we shoot is real, it’s not CGI, and the way production manages to realize what I put on paper is transcendental. It’s incredible, it’s fantastic. So we have new worlds, new landscapes, new characters… and the scope just seems to be bigger. As are a lot of the issues. We’re on a world stage now with the Vikings, so everything is greater and more significant. And I swear to all the fans. It is a truly, deeply, emotional experience so I look forward to people watching it."

January 30, 2019

Some Opinions About Beer


So I wanted to do up a post about beer.

I am fond of craft beer, to be precise. Now, that being said, I'm a fan of traditional styles: ales, amber, stouts, porters, etc. Those types, served in a pint glass.

I'm all for experimenting and trying new things; however within moderation.

Very often, I see what appears to be orange juice served in what appears to be a wine glass. And usually, the name or ingredients of that beer does not sound appealing - as BEER.

For that reason, I'm going to list off some breweries, to give an idea of the types of beers that I do enjoy. I should also add that I like some UK imports, due to the type of beer.

WHITEWATER BREWING CO

78 Hwy 17, Cobden, ON K0J 1K0
Beer Listing: http://whitewaterbeer.ca/our-beer/

Their flagship beer would probably be the Farmer's Daughter Blonde Ale. My overall favourite, though, is the Whistling Paddler English Ale. They are no longer 'up and coming' as their reputation is well-known in the Ottawa region. I remember attending beer-tasting vent that was hosted by the Hintonburg Public House from when they were up and coming.

The brewery (physical location) brewpub and their selection of beers is everything I could want from a craft brewery. They have a nice varied selection. Their food is great. The brewery is nice. Cannot give them enough praise. Oh, and you can get their beer in cans, growlers and grumblers.

HIGHLANDER BREWING CO


309 B HWY 124, South River, ON P0A 1X0
Beer Listing: https://highlanderbrewco.com/product-category/beer/

Their flagship beer would probably be the Scottish Ale. That one is quite good, as is their Blacksmith Smoked Porter. Sadly, I have not had much else by them - nor visited their brewery (which is about 5 hours away from me, twice the distance as Whitewater.)

I was gifted a 500 ml (when their beers came in bottles) for my birthday one year. The name of the brewer and the beer caught my attention, and I couldn't wait to try to it: Highlander Brewing Co.'s Scottish Ale. Now, anyone who knows me knows that I have an affinity (and hopefully not an unfair bias!) towards anything Scottish. Let me tell you, that Scottish Ale as delicious. Likewise was their Blacksmith Smoked Porter, once I had it.

Their other beers are of interest to me - no overabundance of IPA's. I love IPA's, but I find them too commonplace in the craft beer industry. Highlander also offers: a rye beer, a lager, and a few others that I can't tell based on their names. Great, traditional beer.

ASHTON BREWING COMPANY


113-159 Old Mill Road Ashton, Beckwith, ON K0A 1B0
Beer Listing: https://www.ashtonbrewingcompany.com/beer

Their flagship beer would be their Amber. I haven't had much by them, nor have I visited their brewery. Unlike Highlander, (due to where I live) visiting Ashton seems to be more feasible. They offer up a Harvest brown (which is delicious on tap), a Cream Ale (gotta try that one!), an IPA, among others. What attracted me, is that they call their beers 'pub ales' - which is exactly the type of beer I would be after. I may have extremely limited experience with this brewery, but my anticipation is very high because of it.
CAMERON'S BREWING COMPANY

1165 Invicta Dr, Oakville, ON L6H 4M1
Beer Listing: https://www.cameronsbrewing.com/beers/

Unsure what their flagship would be! Now, their brewery is in Oakville....a good 5 hours away from me. However, I've had quite a few of their beers, thanks to the various mixpacks that LCBO carries. They are all very good, though I must admit that the Ambear is pretty good. They offer traditional style beers, with snappy names.


That's pretty much it for the brewers I wanted to showcase, however I also wanted to mention by name (though in less detail) the following: New Ontario Brewing Company, Great Lakes Brewery, Muskoka Brewery, and Black Oak Brewery for Ontario.

In Nova Scotia, I also have a fondness for Big Spruce, and Boxing Rock.

Finally, for imports, I quite enjoy pretty much anything from Wychwood (I make it a point to go for their Hobgoblin, and its variants, such as King Goblin and Hobgoblin Gold), Fuller's, Innis & Gunn and Belhaven.

So the point of this, was to show the types of beers and brewers that this craft beer (and, on occasion, imports) drinker likes.

You keep your tekus, I'll have my pint glass. And I part with this quote:

"...You can drink your fancy ales,
You can drink them by the flagon,
But the only brew for the brave and true...
..Comes from the Green Dragon!
"

January 29, 2019

Robert Jordan's "Warrior of the Altaii" To Be Published


This is most unexpected, indeed!

Robert Jordan's first novel is going to published. This is not connected to The Wheel of Time, and is standalone (unless the manuscript is physically too large to print as one book.)

Tor.com has announced the book here: https://www.tor.com/2019/01/18/robert-jordan-warrior-of-the-altaii-coming-from-tor-books-in-2019/

You can read more about it here: https://dragonmount.com/index/featured-homepage-article/warrior-of-the-altaii/

Draw near and listen, or else time is at an end.

The watering holes of the Plain are drying up, the fearsome fanghorn grow more numerous, and bad omens abound. Wulfgar, a leader of the Altaii people, must contend with twin queens, warlords, prophets and magic in hopes of protecting his people and securing their future. Elspeth, a visitor from another world, holds the answers, but first Wulfgar must learn to ask the right questions.

But what if the knowledge that saves the Altaii will also destroy them?

Publication date: Oct. 8, 2019
Formats: Hardback, Audio, Ebook (Paperback approx a year later)

I look forward to knowing more about the project in the coming months. Namely - the cover art. "don't judge a book by its cover!" however that's one aspect of upcoming books I've always enjoyed being revealed.

January 28, 2019

"A Fire Within the Ways" Excerpt


What follows is TOR's post about the excerpt titled A Fire Within the Ways from the upcoming Unfettered III anthology coming in March:

Tor.com is excited to offer an excerpt from “A Fire Within the Ways,” a deleted novella (!!) from The Wheel of Timeand a fascinating look into the process of A Memory of Light, the final volume in Jordan’s epic, came together.

A Note From Brandon Sanderson

During the editing of every novel, you realize that certain scenes just aren’t working. There are a variety of reasons this happens, and while removing those scenes is always one of the most difficult parts of the creation process, it functions like the proverbial pruning of a tree—providing room for other scenes to grow. In the end, the book is better off.

That said, I’m always looking for places to show off scenes like these. They not only expose something I find very interesting about the process, but they often have gems in them that I am eager to share. (The scene with Gaul and the bridge in this excerpt is a good example.)

The following sequence was pruned from A Memory of Light, the final book of the Wheel of Time. Fair warning up front, it includes a lot of characters in the middle of their arcs, so without a background in the Wheel of Time, you might be a little lost. I’ve done what I can to make it work on its own, but it can’t—by nature of its origins—ever truly be a standalone.

It also is not canon to the Wheel of Time. Though I’m very fond of how the sequence plays out, our eventual decision to delete it necessitated revisions to A Memory of Light, which grew to include some elements of this piece. The final book has no room for these scenes in its chronology; characters would literally have to be in two places at once. In addition, a few arcs of side characters play out differently here, contradicting the published narrative.

This shouldn’t be seen as a replacement for those scenes. More, this is a chance for me to present something that never quite made it to publication. Imagine it as a glimpse of where the story could have gone, but ultimately did not.

The setup is simple: the enemy has been using an alternate dimension known as the Ways to move troops in secret and attack cities unexpectedly. Caemlyn—the capital of the nation of Andor, and one of the most important cities in the series—has recently been invaded using the Ways.

Our characters have decided that it’s vital to interrupt the enemy’s ability to use the Ways. They can’t allow continued resupply and reinforcement of armies behind their front lines, and so a desperate plan is hatched. Perrin, with a team of elite troops and channelers (users of arcane power in the Wheel of Time), will travel through the Ways and destroy some of the paths the enemy is using.

Hopefully you will enjoy this for the fun bit of behind-the-scenes material that it is!


A Fire Within the Ways

Chapter 1: The Gate


Perrin stepped through the gateway into Cairhien, gripping his hammer, and looked right and then left down the narrow, cobbled alley. It was night, and the alley was dark—though lantern light shining through the gateway painted the cobbles golden at his feet.

The city was rank with the smells of men: smoke from nearby chimneys, the lingering aroma of powders and perfumes, even the scent of paint on the wooden boards of the alley—long dried and gone stale. Missing was the scent of rotting food so commonly associated with cities. Not even the smallest scraps were left to rot in Cairhien these days.

Part of him fixated on the smoke first, then tucked its presence into the back of his mind. Fire was the simplest and often the first way for a wolf to know that men were near.
Perrin prowled down the empty alley, waving for his group to follow. The still air was strange—for wolves, noise was the other sign of humankind. People were often oblivious to how much noise they made. A man in the woods was usually a thunderous, crunching, snorting, grumbling affair. That cacophony should have been magnified many times, here in the city.

And yet, it was still. Unnaturally still. Cairhien should not have been a quiet place, even at night.

Perrin reached the mouth of the alley and scouted the larger thoroughfare that it intersected, his eyes piercing the darkness. To his left, across the street, a building flew the Lion of Andor beside the Rising Sun of Cairhien. A few people passed by out here, smelling of wine and unwashed bodies.

“Where is everyone?” Arganda asked, slipping up beside him, holding a shielded lantern. First Captain of Alliandre’s guard in Ghealdan, Arganda was a compact man, like a lean and powerful jackrabbit. He was a good one to have along on a hunt.

“Elayne has pressed most of them into one military division or another,” Perrin said softly.
“Farmboys with kitchen knives and hay rakes,” Gallenne said, coming up on Perrin’s other side in his well-polished breastplate and helmet with three plumes, his single eye peering down the street. He could be a useful man too, if he could be kept in check. “They’ll be cut to pieces by the first Trolloc they see.”

“I think you’ll find, Gallenne,” Arganda said, “that some farmboys can be dangerous. Particularly if cornered.”

“Quiet, you two,” Perrin growled.

“I mean no offense, Arganda,” Gallenne whispered. “This is not a matter of class, but of training. A well-trained soldier is of equal value to me in battle, farmboy or lord, but pressed armies have no training at all. Queen Elayne should not rely upon them.”

“I don’t think she’s going to,” Perrin said. “But what would you have them do, Gallenne? Sit and hide in their houses? This is the Last Battle. The Shadow will hurl everything it has at us. Better that the people should be armed and ready, if the soldiers fail.”

The man quieted as, behind, the rest of Perrin’s force moved through the gateway. Perrin wished he could still the clanking of armor and the fall of boots; if the Dark One discovered what they were up to, they’d find a force of Trollocs waiting for them in the Ways. And yet, to go without at least some troops would have been foolhardy.

It was a careful balance. Enough men to take care of trouble, if encountered, but not so many as to draw their own trouble. He’d settled on fifty. Was that the right number? He’d stayed up nights, carefully going over this plan a hundred times, and was confident in it—but this mission still had him constantly second-guessing his decisions.

The Ways were no careless jaunt through the forest. He suspected he knew that better than anyone.

Last through the gateway, crowding the alleyway, were six pack mules laden with supplies. In addition, each soldier carried a kit with extra water and food. Gallenne had questioned the need for so many supplies, but Perrin had been firm. Yes, the pathway they’d planned looked like it would take only a few days, but he was taking no chances. While he couldn’t plan for everything, he’d not have the mission fail because of something as simple as supply problems.

That said, other than the pack animals, he’d brought no horses. Bridges in the Ways could be narrow, particularly when broken or worn. It was better to rely on feet.

That suited the Aiel just fine. Perrin had brought ten of them, including Sulin and Gaul. Ten Ghealdanin including Arganda, ten Mayeners including Gallenne, ten Whitecloaks including Galad, and ten Two Rivers men including Tam put him at exactly fifty soldiers. On top of that, he’d added Grady, Neald, Saerin, Edarra, and Seonid and her two Warders.

Five channelers. Light send he wouldn’t need to rely on them much.

“Do you sense anything, Goldeneyes?” Seonid asked. Fair-skinned and dark-haired, the Cairhienin woman reminded him of Moiraine—but she was more severe. Though… he’d thought of Moiraine as severe too, when he’d traveled with her. Odd that he’d look back now and imagine her smelling of fondness when she spoke to him. Perhaps he was just remembering the past as he wanted to, like old Cenn Buie claiming the pies at Bel Tine had tasted better when he was young.

Either way, of the Aes Sedai who had traveled with him in the south, Perrin trusted Seonid most. At least she hadn’t gone to meet with Masema behind his back.

Perrin peered at the street, smelling scents on the air and listening for anything out of place. Finally, he shook his head in answer to Seonid’s question. He placed two men as scouts at the mouth of the street and alleyway, then joined Seonid to walk back through the alley, her two Warders following.

Their goal wasn’t the street, but the dead end of the alley where it intersected a large wall surrounding what had once been the palace of Lord Barthanes Damodred—a Darkfriend, and coincidentally a cousin to Moiraine.

His palace was now Rand’s school. Perrin had never been there, but he found the back gate into the grounds just where it had been described. He knocked softly, and a stocky gray-haired woman pulled the gate open.

“Idrien Tarsin?” Perrin asked.

The woman nodded, smelling of worry as she ushered them in. She was headmistress of the school, and had been told to expect their arrival. Perrin waited as the others entered, counting off his men and women—one more time, for good measure.

Finally, when all were accounted for, he pulled the gate closed behind him, then hurried along the line of soldiers to the front. Here Idrien hissed at them to be quiet, then glanced at the sky and pulled open the back door to the school proper.

Perrin stepped through it and into a place full of odd scents. Something acrid he couldn’t place mixed with the aroma of flowers that had been crushed. Odd scents that he associated with baking—the sodas and yeasts—but none of the comfortable smells, like those of baking bread, that should accompany them.

As the others of his group entered, he stepped forward, sniffing at a room that reeked of a tannery. What was happening in this strange place, and why did he smell old bones from that room across the hall?

He would have expected the scholars to be sleeping, but as the headmistress led them down the broad hall, Perrin passed several rooms with lights burning. In one, an extremely tall man with long hair and fingers worked beside a… well, a contraption of some sort. It had wires and coils and pieces growing out of the floor like some kind of metal tree. Lights burned on the table in front of the scholar, inside of little glass globes. They were steady lights that didn’t flicker at all.

“Is that an Asha’man?” Galad asked, stepping up beside Perrin.

“I see no weaves,” Grady whispered, joining them as Arganda moved his troops through the hall behind.

“Then… he’s figured out how to harness the One Power using only metal and coils?” Galad asked, smelling troubled. He seemed to consider the idea to be very disturbing.

Perrin shook his head and ushered the other two forward, worried about drawing the scholar’s attention. The man didn’t even look up, however, as if oblivious to the footfalls and hushed conversations in the hall.

Perrin hurried onward, passing underneath a model hanging from the ceiling—it looked like a wooden man with wings attached to his arms, as if they were intended to make him fly. Another room smelled of old dust and was filled entirely with bones—but from no animal Perrin recognized.

Eventually, Idrien led them through a very small door—perhaps a servants’ door—out into the mansion’s gardens. Perrin knew what to expect, as Loial had explained—at length, of course—about his trip here with Rand. The Waygate was in its own walled enclosure within the gardens. Sitting on the ground there was a balding fellow with a heap of star charts, staring up at the sky. What he expected to see through the cloud cover was beyond Perrin.
“I thought you were told to keep everyone away,” Perrin said, hurrying up to the headmistress.

“Oh, don’t mind Gavil,” she said. She had a musical voice. “He’s not right in the head. He… well, we let him study the Ways, you see…”

“You let someone in?” Perrin demanded.

“We are here to study and learn,” she replied, voice hardening. “He knew the risks. And he… well, he only stuck his head in for a brief moment. That was enough. When we pulled him back out, he was staring and mumbling. Now he rants about a sky with no stars and draws star charts all day. But they’re nonsense—at least, he charts a sky that I’ve never seen.”
She glanced at Perrin, then—smelling of shame—looked away. “We’ve never opened it again, not since that Ogier showed up and chastised us for what we’d done. Of course, we couldn’t have opened it on our own anyway, as he took the key with him when he left.”

Perrin said nothing. He led his group into the small enclosure, and there was the Waygate, a portal of stone worked with incredibly intricate vine and leaf patterns. Perrin hadn’t done much work in stone—the closest had been a fanciful attempt at molds for casting silver, at which Master Luhhan had laughed. As if there would ever be enough silver in the Two Rivers to waste on an apprentice’s practice molds.

Still, the masterwork sculpting on the Waygates had always struck Perrin. The creators had made this stonework look almost as if it were alive.

“Thank you, Mistress Tarsin,” Perrin said. “This will get me to the Two Rivers quietly, without anyone knowing where we’ve gone.”

Perrin glanced at Galad—who blessedly didn’t say anything. The man could be perniciously honest at times, and hadn’t liked the idea of lying about their destination. But Perrin figured he should do anything he could to point the Shadow in the wrong direction—even starting deliberately false rumors.

“You may go,” Perrin told the headmistress. “But forbid anyone from even entering this garden—barricade the doors. And don’t worry about us. Remember the warning you got earlier. The Shadow might very well be planning to send troops here through this portal. It might feel quiet in this city, but you’re actually sitting right on the front lines of the war.”
She nodded, though she didn’t smell as concerned as she probably should have. Well, perhaps she was just good at controlling her fear of the Waygates—they’d long known that the Shadow was using them, and Rand had stationed guards here during most of the school’s existence.

A few guards wouldn’t do much more than a locked door, unfortunately. This Waygate needed channelers who could Travel watching it permanently—whom Rand would send once he could spare them.

Or… well, if he could spare them.

Mistress Tarsin retreated out the door, locking it behind her. Not that a lock would do much to stop Trollocs—indeed, far stronger precautions had proven useless. The Waygate in Caemlyn had been locked tight like this one, behind the wall of stone that protected the entrance.

Perrin moved his soldiers back, leaving only the channelers and his attendants near the Waygate itself. Then he nodded to Grady. “All right, Grady,” he said. “Bring it down.”
Saerin folded her arms, and Perrin braced himself for another objection. The Aes Sedai—and Saerin in particular—hadn’t liked this part of the plan. The fierce Brown sister had objected to the destruction of such an ancient relic.

Fortunately, she said nothing as Grady stepped up and adopted a look of concentration. Apparently Perrin’s explanations had satisfied her: The barrier had meant nothing to the enemy in Caemlyn. It might as well not have existed, for all the good it had done the people there.

Right now, the only chance this city—and Caemlyn itself—had was for Perrin to find a method of shutting these Waygates permanently, from the inside.

“All right, my Lord,” Grady said. “Brace yourself.”

With that, the Asha’man blasted open the Waygate’s stone covering.

The explosion ripped the barrier into several pieces, though the resulting pop was muted, as if it had come from many paces away. The chunks, rather than spraying chips of stone across the soldiers, hung in the air, then floated down and settled onto the path right in front of the Waygate.

Perrin felt a pang at the destruction, more so because he had ordered it. But no smith could be so attached to a piece that he couldn’t see the need to melt it down when its time came.
Now that the stone covering was gone, Perrin’s breath caught, and he took one of the lanterns and raised it high.

The opening exposed a glassy surface like a mirror—but one that reflected poorly. A shadowy version of Perrin, holding aloft the lantern, confronted him. Loial had said that once, the Way-gates had shone like bright mirrors—back when they’d had light of their own within.

The ancient portal rested peacefully as Grady dusted off his hands. Perrin stepped up, listening, looking. The last time Rand had tried to use this Waygate, something had been waiting for him on the other side. The Black Wind.

Today, however, Perrin heard no calls for blood or death, felt no assault on his mind. He saw nothing but the shadowy version of himself, golden eyes seeming to glow in the lantern light as he searched for hints of danger. He could spot none. It seemed that Machin Shin was not lurking in wait for them this time.

He released his held breath as, behind him, Seonid spoke thoughtfully to Grady. “That was well done, with the explosion, Asha’man. Did you use Air to muffle the sound somehow?”
Grady nodded, wiping his brow with a handkerchief. “Been practicing how to do that, lately. Explosions can be handy, but we can’t be shattering everyone’s eardrums with each one, now can we?”

“The noise of the channeling is the one we must fear more,” Saerin said briskly. “We should be quick, just in case.”

“Agreed,” Perrin said. He turned back to the troops, who had watched the display with stoic faces. This lot was as used to channeling as common men ever could be, he supposed. “Arganda and Gallenne?”

“Yes, Lord Goldeneyes?” Gallenne said, alongside a simple “Yes?” from Arganda. Both smelled eager.

“You may enter. Together.”

They didn’t seem to like that, but both stepped up to the dull glassy surface, as if approaching versions of themselves from the shadowy realm beyond. With the entire rock face removed, the opening was wide enough for two men, barely. Arganda reached up and tapped the surface, his finger seeming to meld with that of his dim reflection. He shuddered visibly as his finger stuck into it, rather than meeting something solid. He looked at Gallenne, and the other man nodded, his slotted helmet under his arm.

Together they stepped forward, their faces meeting those of their mirror images as they merged with the reflective surface, stepping into the Ways. A moment later, Arganda turned back, his torso breaking from the surface—causing no ripples—and leaning out.

“There is a modestly sized stone field on this side as described, Lord Goldeneyes. We see no signs of the Shadow, or of this… wind you mentioned.”

“All right,” Perrin said to the others. “In you go. One at a time, and go slowly, understand. I’ll go last.”

Galad stepped up to him as the soldiers began to file through. He watched the Waygate with troubled eyes. “I’ve been trying to convince the Children that we need not walk in dark paths in order to follow the Light.”

“Sometimes you must walk a dark path,” Perrin said, “because there is no other way forward. That doesn’t mean you need to let it get inside you. That’s something the Children never seem to be able to figure out.”

“I am not a fool, Perrin,” Galad said. “I realize that distinction. But if we intend to resist the Shadow without embracing evil methods, how can we justify using this… place?”

“The Ways aren’t evil,” Perrin said. “The fact that the Shadow has corrupted them doesn’t change that they were made for a good purpose. The real corruption is Shadowspawn using it to attack us.”

Galad thought for a time, then nodded. “I will accept that argument. You have a good logic about you, Perrin Aybara.” He stepped up next and—without breaking stride or smelling the least bit worried—passed through the gate.

“Complimented by a Whitecloak,” Seonid said to Perrin, waiting as her Warders passed through. “How does that feel?”

“Odd,” Perrin admitted. “Go on in. And remember not to channel once inside.”

“You keep saying this,” Edarra said as she stepped up. The Aiel Wise One had pale yellow hair and seemed young—though of course, that was deceptive when Wise Ones were concerned. She inspected her shadowy reflection with a critical eye. “Why bring five people who can channel, then tell us not to use the One Power?”

“Never swing an axe carelessly, Edarra,” Perrin said. “The Power will be corrupted inside, almost like the taint that was upon saidin. We will probably have to use the Power to pull off this plan, but let’s not be foolhardy about it.”

Edarra finally entered, and though the Wise One didn’t bow her head or betray an anxious step, she did smell distinctly of nervousness.

Seonid, in turn, smelled of… a strange mix of emotions. Something had happened between the two Aes Sedai and the Wise Ones. Perrin didn’t know exactly what it had been, but it seemed to be over now. And strangely, Seonid seemed more respectful of the Aiel than she had of Egwene or the other senior Aes Sedai.

“Keep that Whitecloak at arm’s length, Lord Aybara,” Seonid said after Edarra passed. “His type turns on a man quickly, once he finds fault. I’ve seen it a dozen times.” She strode into the Way-gate, followed by the last of the Aiel—all save Gaul, who waited with Perrin.

“We have a saying in the Three-fold Land,” Gaul noted. “The gango lizard will happily feed on your arm while the asp bites your leg. I think that one’s advice could be applied to herself.”

“I trust them both,” Perrin said. “Seonid can be brusque, but she acts with honesty. And Galad… Galad is straightforward. If he does turn on me, I don’t doubt he’ll explain his reasons completely beforehand. I’d rather have that than a dozen attendants who tell me what I want to hear and scheme behind my back.” Perrin scratched at his beard. “Odd. Rand would always talk like that too, and he ended up with a bunch of scheming toadies anyway.”
Gaul laughed. “I would not call it odd, Perrin Aybara. Not odd at all.”

After Gaul had passed through, Perrin stepped up, as if confronting himself in the reflective surface. He had entered the Ways only twice. First, so long ago with Moiraine. Then again when he’d returned with Loial to the Two Rivers.

It felt like an eternity had passed since either of those events. Indeed, it seemed a completely different person looked back at him from inside the Waygate. A hard man, with a weathered beard—thick like the fur of a wolf whose instincts knew to anticipate a particularly harsh winter. But Perrin could look that man in his golden eyes and feel at peace with him.

Both man and reflection slid their hammers into the loops at their sides. And both knew that this time, though wary, they would not smell of fear. He stepped forward and touched the surface of the gate, which felt icy, like water washing across him. The moment stretched—indeed, Perrin almost felt as if he were stretching, like a thick piece of tar.

Finally, though, he slid through and stepped firmly on the other side, entering the infinite blackness.

Some Thoughts on the Narnia Netflix Project(s)


There have been some new developments in some things I am interested in I wish to address on my blog, despite how outdated the news may be. I don't get to write (in general) nearly as much as I'd like.

Now, I'd like to share my thoughts and opinions on Netflix's forthcoming Narnia project(s). Before I do, please note that this appears to be a total reboot / remake, unlike Amazon's Middle-earth series - they're not 'retelling' The Lord of the Rings (Hobbiton - Mordor etc). 

Here are the important parts, first up:

- "The streaming service has revealed that they have signed a multi-year deal with The C.S. Lewis Company which will see multiple films and a TV series based on C.S. Lewis's iconic book series being released."

That means, it appears to be a combination of films and TV series (or multiple series). The question, though, is will all 7 be films, or will the film + series apply to various books? Also, there is word that this may include spinoffs - so some original content in addition to the 7 books, possibly. 

- "The Netflix deal marks the first time one company has had the rights to all seven of the Narnia books: The Lion, the Witch and the Wardrobe, Prince Caspian, The Voyage of the Dawn Treader, The Silver Chair, The Horse and His Boy, The Magician’s Nephew, and The Last Battle."

I am unsure of the details, but Disney had planned to do all 7 way-back-when. However, with the Caspian incident (as I like to refer to it) they handed the series off to 20th Century Fox (which Disney now owns!) to do The Voyage of the Dawn Treader, as well as 'finish' the series. However due to Dawn Treader not faring well, we are now in this boat. But this is good news that Netflix is 'all in' in regards to the 7 books - and more.

- "Wait, I thought they were doing The Silver Chair?" Well, they were....not sure what is going to happen with that project. Is it still a go, but will integrated into the Netflix deal? Or is it off the table?

- "When will it come out?" How much you want to bet around the same as Amazon's Middle-earth (or possibly Wheel of Time) projects?? I'm betting October 2020 to coincide with the 70th anniversary of The Lion, The Witch, and The Wardrobe. And you can get there will new editions of the books then - including tie-in covers. 



The Narnia stories are more episodic in nature than other fantasy works. Because of this, it will be interesting to see how Netflix's treatment turns out. There is also the nature of which order will the stories follow - written or published? The order that the books originally came out was: The Lion, The Witch and The Wardrobe, Prince Caspian, The Voyage of the Dawn Treader, The Silver Chair, The Horse and His Boy, The Magician's Nephew and The Last Battle. The chronological order is: The Magician's Nephew, The Lion, The Witch and The Wardrobe, The Horse and His Boy, Prince Caspian, The Voyage of the Dawn Treader, The Silver Chair and The Last Battle. Not only that, but depending on the angle Netflix takes, could we get The Horse and His Boy intercut / simultaenous with The Lion, The Witch, and The Wardrobe? Plus, there's the possibility to see events mentioned in the books that occurred off-page, and have them elaborated on. Could we see what the Telmarines were up to prior to Prince Caspian? Finally, because of the fact that this is an adaptation, could changes occur? The Seven Swords from The Voyage of the Dawn Treader film come to mind. (I was fine with that change, by the way. It wasn't 'jarring' to the film. If one never read the book, one would never know that it was a change.) I'm not sure how well monkey rulers or 'fake' donkey Aslans will work as adaptations, so we'll see..... 

The answers to the above points just require further time. I look forward to learning more as things develop, and we get updates, posters, trailers, etc. More fantasy is always a good thing. It looks to be hot and happening again, as we have: The Fantastic Beasts 5-film series, Amazon's Middle-earth series, Amazon's Wheel of Time series, Netflix's Narnia, and BBC's His Dark Materials.

It feels like 15-ish years again....here's hoping these projects turn out well: that they are able to see completion, they are of good quality, and that they are good adaptations. My comments are not limited to Netflix's Narnia.

If you've never read the Narnia books before, I recommend this set out of all the editions that are currently in print. Search using the ISBN below:



The Chronicles Of Narnia Box Set: 7 Books In 1 Box Set by C. S. Lewis

(paperback) ISBN: 9780064405379
(hardback) ISBN:
9780060244880